Study: Landscape at Auvers by Paul Cezanne
Paul Cézanne's 1873 painting
Study: Landscape at Auvers earned
the warmest reception of the three works that represented Cézanne at
the first
Impressionist exhibition. The critic Jean Prouvaire
questioned the Salon jury's rejection of Cézanne, and critic Émile Zola
exalted Cézanne. Shedding the dark palette of his earlier works,
Cézanne was beginning to be attentive to the structure, rather than the
appearance, of his subjects; in
Study: Landscape at Auvers Cézanne was starting to move away from the spontaneous imagery that critics linked with Impressionism.
Paul Cézanne's Study: Landscape at Auvers (oil on canvas,
18-1/4x21-3/4 inches) is housed at the Philadelphia
Museum of Art.
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For another example of Paul Cézanne's unique approach to his art, go to the next page.
For more on Impressionist paintings, artists, and art history, see: