The Banks of the Oise by Charles-Francois Daubigny

Charles-François Daubigny's The Banks of the Oise (1859), was painted en plein air by which the artist achieved a fresh effect that could not be matched in the confines of a studio.

Picture of impressionist painting by Charles-Francois Daubigny, The Banks of the Oise.
The Banks of the Oise by Charles-Francois Daubigny
is an oil on canvas (35-3/8 x 71-5/8 inches) that is
housed in Musée des Beaux-Arts
in Bordeaux, France.

Daubigny's naturalistic approach to landscape involved painting in the open air. Prior to the early 1840s, artists composed their landscapes in the studio from sketches and from memory. Advances in lightweight easels and portable art materials allowed an artist to work outdoors and record the effects of light, shadow, and atmosphere from direct observation.

For more on Impressionist paintings, artists, and art history, see:


ABOUT THE AUTHOR:

Debra N. Mancoff, Ph.D., is an art historian and lecturer and the author of numerous books on nineteenth-century European and American paintings. She is a scholar in residence at the Newberry Library and an adjunct associate professor and adjunct lecturer at The School of the Art Institute of Chicago.