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by Marshall Brain

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Please copy/paste the following text to properly cite this HowStuffWorks article:

Brain, Marshall.  "How Recording Contracts Work"  22 May 2003.  HowStuffWorks.com. <http://entertainment.howstuffworks.com/recording-contract.htm>  11 February 2012.
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Inside this Article
  1. Introduction to How Recording Contracts Work
  2. Sign on the Dotted Line
  3. Royalties
  1. Royalty Alternatives: Another formula
  2. The Marketing Machine
  3. Recording
  4. See more »
    1. Options
    2. Alternatives
    3. Lots More Information
    4. See all Music Industry articles

Lots More Information

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Inside this Article
  1. Introduction to How Recording Contracts Work
  2. Sign on the Dotted Line
  3. Royalties
  4. Royalty Alternatives: Another formula
  5. The Marketing Machine
  1. Recording
  2. Options
  3. Alternatives
  4. Lots More Information
  5. See all Music Industry articles
Previous Page

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Prices: Music Business Books

  • Understanding the Music Business
    Understanding the Music Business

    Understanding the Music Business offers students a current overview of the music business. Going beyond what most music business texts offer, Weismann delivers a contemporary approach that addresses the unanswered questions for today’s music students, such as, “Is it really possible to make a living as musician?”   Understanding the Music Business covers the basics in the first part of the text. This first section deals with the fundamentals of the industry, including recording, music publishing, agents, managers, radio and television, unions, the internet and new technology, and regional and international music markets. However, it is the second half of the text that breaks new ground by covering the career paths of new artists in the industry, the development and need for entrepreneurial skills, and the ways that individuals forge careers in the industry.

    $49.76

  • The Music Business and Recording Industry
    The Music Business and Recording Industry

    The Music Business and Recording Industry is a comprehensive textbook focused on the three income streams in the music industry: music publishing, live entertainment, and recordings. The book provides a sound foundation for understanding key issues, while presenting the latest research in the field. It covers the changes in the industry brought about by the "digital" age, such as changing methods of distributing and accessing music and new approaches in marketing with the Internet and mobile applications. New developments in copyright law are also examined, along with the global and regional differences in the music business. This new edition includes a number of pedagogical features: key concepts outlined at the beginning of each chapter D.I.Y. activities promoting a more interactive, hands-on experience internet activities that use web resources to enhance the understanding of how things run in the music business case studies with specific instances of how real people have succeeded in the music business. questions to consider at the end of each chapter a running glossary throughout each chapter, as well as a full glossary at the end of the book a Companion Website including instructor and student resources. As new methods of distribution change, new revenue sources are created, and the industry evolves, this book sets the economic and historical framework for understanding where the business has been and where it is going. In doing so, it not only describes the state of the music industry, but explains why things are the way they are.

    $51.29

  • The Music Business and Recording Industry
    The Music Business and Recording Industry

    The Music Business and Recording Industry is a comprehensive textbook focused on the three income streams in the music industry: music publishing, live entertainment, and recordings. The book provides a sound foundation for understanding key issues, while presenting the latest research in the field. It covers the changes in the industry brought about by the "digital" age, such as changing methods of distributing and accessing music and new approaches in marketing with the Internet and mobile applications. New developments in copyright law are also examined, along with the global and regional differences in the music business. This new edition includes a number of pedagogical features: key concepts outlined at the beginning of each chapter D.I.Y. activities promoting a more interactive, hands-on experience internet activities that use web resources to enhance the understanding of how things run in the music business case studies with specific instances of how real people have succeeded in the music business. questions to consider at the end of each chapter a running glossary throughout each chapter, as well as a full glossary at the end of the book a Companion Website including instructor and student resources. As new methods of distribution change, new revenue sources are created, and the industry evolves, this book sets the economic and historical framework for understanding where the business has been and where it is going. In doing so, it not only describes the state of the music industry, but explains why things are the way they are.

    $106.18

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