Paul Signac is not the most famous of the Impressionists, but he was an important figure in the history of the movement. Signac's contributions came after he met Georges Seurat in 1884, and became interested in Seurat's more formal approach to painting. Along with Seurat and fellow Impressionist Camille Pissarro, Paul Signac developed a style which would be termed by contemporary critics "Neo-Impressionism."
In paintings such as The Gas Tanks at Clichy and Snow, Boulevard de Clichy, Paris, Paul Signac employs Seurat's optical theories while maintaining a sense of the traditional Impressionist strategies favored by artists such as Claude Monet. At the Impressionists' eighth and final exhibition, Paul Signac's work hung beside Seurat's as a signal that traditional Impressionism was finished and a new wave of painting was on the horizon.
For more on Impressionist paintings, artists, and art history, see:
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